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And, holy mackerel…am I?To be in the black suit, or not to be? Kyle MacLachlan’s funny, moving, and playfully self-aware memoir charts a career that could belong to no other. Plucked from obscurity to star in David Lynch’s Dune, the Hollywood blockbuster that never was, MacLachlan rebounded with a startling performance in Lynch’s provocative masterpiece Blue Velvet, which would mark him as a master of the unusual and ultimately lead to his career-defining role as Agent Dale Cooper on the TV sensation Twin Peaks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFictional Selves is a book of doppelgangers, with MacLachlan mirrored by his own prodding ego (“Other Kyle”), the iconic characters he inhabited, and the ones that eluded his grasp but gave him a profound and surprising lens onto himself as a person and a performer. 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And twenty-five years later with a career stealing his soul, a relationship in stasis and a hairline in furious retreat, life on earth had him cornered. So when a lightning bolt of inspiration strikes, he leaves everything behind to cycle one of the song's lyrics, 'From Ibiza to the Norfolk Broads' to discover what life, love and Life on Mars? really mean.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat followed was life-affirming, inspirational and often hilarious. Criss-crossing Europe, he visited French chateaus where Bowie recorded, Spanish Olympic stadiums he played, former communist states where his music was banned, and the Berlin Wall he helped topple - all while navigating angry Soviet ballerinas, suspicious village mayors, and an irate Cliff Richard fan. 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The closing of the Band's story with that landmark concert thrust Robertson into a new and uncertain world. With his relationship with his bandmates deteriorating and his marriage collapsing, Robertson arrived on Scorsese’s Beverly Hills doorstep only to find his friend in similar straits.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBefore the night was out, Scorsese had invited him to move in. Both men, already culture-transforming stars before the age of thirty-five, stood at a creative precipice, searching for the beginning of a new phase of life and work. 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